Cowardice to show poor only as needy, without any agency: Sudhir Mishra on ‘Serious Men’


Cowardice to show poor only as needy, without any company: Sudhir Mishra on ‘Serious Men’

Filmmaker Sudhir Mishra was clear when he set out to adapt Manu Joseph”s “Serious Men” for the display screen that he wouldn’t mould its protagonist in a poor-man stereotype, giving the character company as properly shades of gray. Adapted from the writer”s 2010 novel, “Serious Men” chronicles the story of an formidable underachiever Ayyan Mani, performed by Nawazuddin Siddiqui, who capitalises on his son”s newfound fame as a boy-genius Adi (Aakshath Das) to enhance his household’s fortunes.

Through its aspirational central protagonist Mani, a Tamil Dalit in Mumbai, the movie examines caste discrimination, higher class privilege and the way he turns the system, which oppressed folks for generations, to his benefit.

In an interview with PTI, Mishra mentioned he noticed Mani, performed with charming stressed power by Siddiqui, as a person who is 2 steps forward of the world.

“What has Ayyan Mani done? He has taken the educational system and made his son mug up something which the teachers aren”t smart enough to catch. He has used the system. He is grey. It”s a form of cowardice not to give the poor this agency.”

Over the years, Mishra has chronicled tales with sociopolitical backdrop efficiently in movies like “Hazaaron Khwaishein Aisi”, “Dharavi” and “Chameli.”

With “Serious Men”, Mishra mentioned he didn”t need to make a movie which might ignite a dialogue among the many privileged only as a result of the poor have been considered with sympathy and never as equal, flawed beings.

“To only show them as this crawling, earnest people who look up to others, crying slowly as they drown in some quick sand, wasn”t what I wanted to do. That”s the bad art film you drink wine and discuss at film festivals,” he mentioned.

The filmmaker discovered Mani as a “fascinating, complicated, humane” character, the one who refuses to play by the guide. Mani is a fast learner, dynamic and conscious of the frauds the higher class pulls off as properly as their brilliance, he added.

“The film sees the world through his eyes. He is trying to soak up, learn what you”ve not given him. He”s taking the opportunity which wasn”t given to him and giving them to his son.

“Everybody manipulates, even the intense males within the movie. But the world is asking Ayyan Mani to be an idealistic character, to be higher than the world itself, although it”s the identical world that didn”t deal with him properly. He will get that however isn”t bitter.”

The director also finds a parallel between his other Mumbai-set film, 1992”s “Dharavi”, which follows the story of a dreamer Raj Karan Yadav (played by Om Puri) from one of the world”s largest slums.

Mishra said both, Mani and Yadav, were grey men who aspired to rise above the circumstances and challenge the system.

“”Dharavi” was a few taxi driver who comes from Uttar Pradesh. He wasn”t a kind of who folks would stomp on, who”d ask for mercy at all times. He was an entrepreneur and I bear in mind being advised again then how may I write a posh, gray character.

“But he was doing what everyone was doing and in fact was better than most. I saw some connection between ”Dharavi” and ”Serious Men”,” Mishra added.

Written by Bhavesh Mandalia and produced by Bombay Fables and Cine Raas, “Serious Men” additionally stars Shweta Basu Prasad, Nassar, and introduces actor Indira Tiwari.

The movie is at the moment streaming on Netflix.

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